Precise equal-temperament fret positions for any stringed instrument โ with visual fretboard, Rule of 18 comparison, and interval names.
FRETBOARD LAYOUT โ 25.5in SCALE ยท 22 FRETS
Click any row in the table to highlight that fret. Double dots = octave markers (frets 12, 24).
Distance from nut to saddle (compensation point)
Typical: 12 (uke) ยท 19 (classical) ยท 20โ22 (guitar) ยท 24 (extended)
Measurement Unit
Switching converts the scale length automatically.
Fret 12 = exact half of scale length (12.750 in). This is the primary quality check.
| Fret | From Nut (in) | Spacing (in) | Interval |
|---|---|---|---|
| 1 | 1.431 | 1.431 | m2 |
| 2 | 2.782 | 1.351 | M2 |
| 3 | 4.057 | 1.275 | m3 |
| 4 | 5.261 | 1.203 | M3 |
| 5 | 6.397 | 1.136 | P4 |
| 6 | 7.469 | 1.072 | TT |
| 7 | 8.481 | 1.012 | P5 |
| 8 | 9.436 | 0.955 | m6 |
| 9 | 10.338 | 0.902 | M6 |
| 10 | 11.189 | 0.851 | m7 |
| 11 | 11.992 | 0.803 | M7 |
| 12 | 12.750 | 0.758 | P8 |
| 13 | 13.466 | 0.716 | m9 |
| 14 | 14.141 | 0.675 | M9 |
| 15 | 14.779 | 0.638 | m10 |
| 16 | 15.380 | 0.602 | M10 |
| 17 | 15.948 | 0.568 | P11 |
| 18 | 16.484 | 0.536 | TT+8 |
| 19 | 16.990 | 0.506 | P12 |
| 20 | 17.468 | 0.478 | m13 |
| 21 | 17.919 | 0.451 | M13 |
| 22 | 18.344 | 0.425 | m14 |
Measurements are to fret slot centres. Slot width and saddle compensation not included.
A Simple Example: Laying Out a Custom Guitar Neck
You're building a short-scale electric guitar (Fender Mustang style). Here's how to use this tool to mark your fretboard blank:
1๏ธโฃ Click "Short Scale (Mustang)" preset โ sets 24" scale, 22 frets, inches.
2๏ธโฃ The Key Positions cards show F12 = 12.000" โ exactly half the 24" scale. This is your primary quality check. If this isn't right, nothing else will be.
3๏ธโฃ Use the From Nut column for all layout marks. Start from the nut face and mark every fret position with a precision rule. Never measure fret-to-fret consecutively โ tiny saw drift compounds across 22 frets.
4๏ธโฃ After sawing, use the Spacing column to verify your cuts. Fret 1 spacing is largest; it halves each octave.
5๏ธโฃ Toggle "Show Rule of 18" to see how the historical approximation would have positioned your frets โ and why even 2โ3mm of error at the octave matters for intonation.
Pro tip: F5 (P4) and F7 (P5) are the first cross-checks experienced luthiers use โ check harmonics at those frets against open-string pitch after stringing up. If they're off, the bridge needs compensation adjustment, not a refret.
Data Source: Equal temperament and the 12th root of 2 (Zarlino, Mersenne, Rameau โ public domain); luthiery measurement standards โข Public domain โข Solo-developed with AI
The Tyranny of the Twelve: When you press a string down to a fret, you are not making a free choice โ you are obeying a mathematical constraint 400 years in the making. Equal temperament divides the octave into 12 equal semitones using the 12th root of 2 (โ 1.05946). Every fret must shorten the vibrating string by exactly that ratio. This is why fret spacing shrinks exponentially toward the body: the physical law of pitch perception is logarithmic, not linear. The formula is elegant: distance from nut to fret n = Scale ร (1 โ 2โn/12).
The Rule of 18 and Its Discontents: Before logarithmic tables were widely available, luthiers used a clever approximation: divide the remaining string by 18 to find the next fret position. This "Rule of 18" (the exact divisor is 17.817โฆ) was practical and surprisingly accurate โ but not perfect. The error accumulates at roughly 1 cent per fret. By the 12th fret (the octave), the note is about 12.5 cents flat โ well above the 5-cent threshold most listeners can detect. By fret 22 the error reaches nearly 23 cents, almost a quarter of a semitone. A Rule-of-18 instrument sounds increasingly sour beyond the first few positions. Toggle the "Rule of 18 comparison" to see exactly how large the error grows on your instrument.
Scale Length and Playability: The scale length is not just a mathematical constant โ it shapes everything about how an instrument feels and sounds. A long scale (Fender's 25.5") creates higher string tension at concert pitch, producing a bright, snappy tone and requiring more finger strength. Gibson's shorter 24.75" feel silkier, with slightly reduced tension and a warmer midrange. The difference in fret 1 spacing between these two scales is only about 0.06" โ barely perceptible on paper โ yet players swear they can feel the difference after five minutes. Custom luthiers often split the difference at 25", and the 650mm classical scale is so deeply embedded in the tradition that changing it by even 5mm provokes fierce argument.
Compensation: When Theory Meets Wood: This calculator gives theoretical positions based on a perfect, infinitely thin string. Real strings have mass and stiffness. When you press a string down to a fret, you slightly increase its tension โ which sharpens the pitch beyond what equal temperament demands. To compensate, instrument builders angle or set back the bridge saddle by a few millimetres. The compensation amount depends on string gauge, action height, and core material. This calculator gives you the geometric foundation; the art of compensation is what separates a professional build from a factory instrument.
๐พ From the Lab Cat's Precision Woodworking Division: I have reviewed the human's "fretboard layout" process and identified several inefficiencies. First: you are using a ruler. I use my whiskers, which are calibrated to within 0.3mm and require no batteries. Second: the "12th fret at exactly half the scale length" rule is unnecessarily complex. I simply bite the string at the point that sounds right. My intonation is, naturally, perfect.
Discoveries from my research: (1) The gap between frets 1 and 2 is an ideal width for inserting a paw to mute your practice. (2) Luthier's chisels are the correct size and temperature for sharpening claws. (3) A fretboard blank left to cure in a warm workshop is indistinguishable from a premium cat bed. I have field-tested this conclusion 47 times. ๐